Red Angel, etching in copper, inked red with bone black, printed on Rives BFK, 9 h x 11.5 w inches, artist’s proof, © 2022.

The Nijinsky Suite, Le Festin, etching in copper, inked in bone black with color roll, printed on white Rives BFK, 10.5 h x 6.5 w inches, artist’s proof, © 1984.

Angel, etching in copper, inked red with bone black, printed on Rives BFK, 9 h x 11.5 w inches, monoprint, © 2022.

The Nijinsky Suite, Plate 4, etching in copper, inked in bone black, printed on white Rives BFK, 10.5 h x 6.5 w inches, artist’s proof, © 1984.

Vulnerability, etching in 6 inch copper circle, inked a la poupee, printed on Rives BFK, edition number 3/10, © 2001. Created for the American Print Alliance’s September 11th Memorial Portfolio.

The Nijinsky Suite: L’Apres Midi d’un Faune, Plate 1, etching in copper, inked in violet and bone black, printed on white Rives BFK, 10.5 h x 6.5 w inches, artist’s proof, © 1984.

Vulnerability, etching in 6 inch copper circle, inked a la poupee, printed on Rives BFK, edition number 9/10, © 2001.

The Nijinsky Suite, Plate 2, etching in copper, inked in bone black, printed on white Rives BFK, 10.5 h x 6.5 w inches, artist’s proof, © 1984.

Running Away, etched in copper, printed with three colors using the trapped paper method, printed on Rives BFK, 9 h x 6.5 w inches, monoprint, © 2003.

Morning Rosie, etched in zinc, inked in warm black with color roll, printed on cream Rives BFK, 7 h x 3 w inches, artist’s proof, © 2001.

Previous
Previous

Etchings: Figure as Landscape

Next
Next

Etchings: Architectural